{"id":2391,"date":"2024-02-08T17:09:34","date_gmt":"2024-02-08T16:09:34","guid":{"rendered":"https:\/\/www.contemporainedenimes.com\/?post_type=projet&p=2391"},"modified":"2024-03-19T22:14:36","modified_gmt":"2024-03-19T21:14:36","slug":"stones-air-axioms","status":"publish","type":"projet","link":"https:\/\/www.contemporainedenimes.com\/en\/projets\/stones-air-axioms\/","title":{"rendered":"Stones, air, axioms"},"content":{"rendered":"

The “Stones, air, axioms” project, combining sound, music and architecture, has been developed for several years by the artist duo Thomas Tilly and Jean-Luc Guionnet. Thomas Tilly is a musician who uses microphones and loudspeakers as creative instruments. Jean-Luc Guionnet, a renowned figure in improvised music, uses saxophones.<\/span><\/p>\n

“Stones, air, axioms” is a project that has already been performed in several places of worship across France and Europe. The artists explore the space at their disposal in a sonorous and physical approach. They take measurements of reverberation and other acoustic particularities. The result is a musical material that the artists use to create a sound piece specific to the venue.\u00a0<\/span><\/p>\n

“Stones, air, axioms” thus requires a four-day preparatory and in situ work in March 2024, with the participation of students from \u00e9sban \u2013 \u00c9cole sup\u00e9rieure des beaux-arts de N\u00eemes where Thomas Tilly and Jean-Luc Guionnet are also teaching a masterclass.\u00a0<\/span><\/p>\n

With:\u00a0<\/span><\/p>\n

Thomas Tilly: electroacoustic device
\n<\/span>Jean-Luc Guionnet: saxophones<\/span><\/p>\n

 <\/p>\n

The artists :\u00a0<\/strong><\/p>\n

Thomas Tilly<\/span><\/p>\n

Centered on the study of the sound environment and its confrontation with the space in which it exists, Thomas Tilly’s work borrows as much from experimental musical research as from scientific research. Listening remains central to his approach, to the detriment of all forms of representation. What happens on location must be interpreted and then transmitted to the listener in conditions of total immersion, the subjectivity of this restitution residing in the senses rather than in a complex technical implementation. Thomas Tilly has presented his work in over fifteen countries and at numerous international festivals dedicated to experimental and improvised music: Audible Festival (Paris), M\u00e9t\u00e9o (Mulhouse), Bruisme (Poitiers), Electricity (Reims), Avant avant garde (Krakow), Simultan (Timisoara), Magnetic Traces (Melbourne), Observatori (Valencia), Synth\u00e8se (Bourges), Bridge Festival (Bulgaria), and more. Since 2001, he has run the Fiss\u00fcr label and writes regularly on phonography and his own artistic practice.<\/span><\/p>\n

Jean-Luc Guionnet<\/span><\/p>\n

Jean-Luc Guionnet studied visual arts and electroacoustic music with Christine Groult, Michel Zbar and Iannis X\u00e9nakis. A multi-instrumentalist (alto and soprano saxophone, organ, piano), he has improvised and experimented in the field of electroacoustic music with Eric La Casa, Eric Cordier, Pascal Battus, Edward Perraud, Fr\u00e9d\u00e9ric Blondy, Sophie Agnel, Andr\u00e9 Almuro, Olivier Benoit and the groups Schams, Synapses, Calx, Ph\u00e9romones and Hubbub. Going from a very physical approach to playing, to breathing, to a work of spatializing the sound, through complex sound devices.<\/span><\/p>\n<\/div>\n\n\n

\"\"<\/figure>\n\n\n
Portrait of Jean-Luc Guionnet.<\/div>
\u00a9 With The Ames Room at Club W71, Weikersheim. <\/div>","protected":false},"author":2,"featured_media":742,"menu_order":0,"template":"","editions":[],"propositions":[],"disciplines":[],"class_list":["post-2391","projet","type-projet","status-publish","has-post-thumbnail","hentry","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/projet\/2391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/projet"}],"about":[{"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/types\/projet"}],"author":[{"embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":2,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/projet\/2391\/revisions"}],"predecessor-version":[{"id":2417,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/projet\/2391\/revisions\/2417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/media\/742"}],"wp:attachment":[{"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/media?parent=2391"}],"wp:term":[{"taxonomy":"editions","embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/editions?post=2391"},{"taxonomy":"propositions","embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/propositions?post=2391"},{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/disciplines?post=2391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}