{"id":1972,"date":"2024-02-07T16:37:47","date_gmt":"2024-02-07T15:37:47","guid":{"rendered":"https:\/\/www.contemporainedenimes.com\/?post_type=projet&p=1972"},"modified":"2024-03-25T11:39:47","modified_gmt":"2024-03-25T10:39:47","slug":"partitions-sedimentaires","status":"publish","type":"projet","link":"https:\/\/www.contemporainedenimes.com\/en\/projets\/partitions-sedimentaires\/","title":{"rendered":"PARTITIONS S\u00c9DIMENTAIRES"},"content":{"rendered":"

Alassan Diawara has created a new series of photographs, for which he spent several months exploring N\u00eemes and its surroundings, encountering many people in the process. Through glimpses of life, the young Belgian photographer’s images explore youth, the connections between different generations in families and communities, and seek to capture a certain essence of the Gard and Camargue imaginary.<\/span><\/p>\n

His photographs are presented in dialogue with Zineb Sedira’s works on the subject of familial and cultural transmission. The artist, who represented France at the Venice Biennale in 2022, also mentored Alassan Diawara in the construction of his project. The installation on display at Carr\u00e9 d’Art \u2013 Contemporary Art Museum, conceived jointly by the two artists, offers new perspectives on the ways in which histories and cultures are shaped over generations.<\/span><\/p>\n

For the duration of the triennial, some of the images created by Alassan Diawara are also presented in the public space, on the fa\u00e7ade of the N\u00eemes-Centre train station.<\/span><\/p>\n

“Partitions s\u00e9dimentaires” is part of the Rencontres d’Arles 2024 program, within the framework of the Grand Arles Express, and as such is on show until September 22.<\/p>\n<\/div>\n\n\n

\"\"<\/figure>\n\n\n
Zineb Sedira, Mother, Daughter, and I<\/i>, 2003. Color photograph, C-print on aluminum<\/div>
\u00a9 Photo Archives Mennour. \u00a9 Zineb Sedira, ADAGP, Paris, 2024 & Mennour, Paris.<\/div>","protected":false},"author":2,"featured_media":994,"menu_order":0,"template":"","editions":[2],"propositions":[],"disciplines":[],"class_list":["post-1972","projet","type-projet","status-publish","has-post-thumbnail","hentry","editions-2","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/projet\/1972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/projet"}],"about":[{"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/types\/projet"}],"author":[{"embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":3,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/projet\/1972\/revisions"}],"predecessor-version":[{"id":2460,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/projet\/1972\/revisions\/2460"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/media\/994"}],"wp:attachment":[{"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/media?parent=1972"}],"wp:term":[{"taxonomy":"editions","embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/editions?post=1972"},{"taxonomy":"propositions","embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/propositions?post=1972"},{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.contemporainedenimes.com\/en\/wp-json\/wp\/v2\/disciplines?post=1972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}